Home is on a reservation, but he lives the life of a touring blues musician

Guitarist, singer Mato Nanji due at Club Fox on Thursday

PUBLISHED: April 5, 2017 at 5:57 pm | UPDATED: April 6, 2017 at 3:51 am

Blues has long been a natural outlet for those facing struggle and oppression, whether  in a ghetto or on a American Indian reservation.

Mato Nanji, vocalist/guitarist for the rock-blues band Indigenous, was raised on South Dakota’s Yankton Sioux Reservation.

Nanji says, “B.B. King told me that the blues can take you out of all that and make you feel better. Blues doesn’t make you more depressed. It’s the kind of music that can make you feel more proud of what you’re doing and what you’re feeling and what’s going on in your life. That’s what connected me to that type of music. It’s deep-rooted music, and a lot of the natives were really into it back in the old days, people like Charley Patton (part Cherokee and considered byt some to be the father of the Delta Blues).”

Nanji’s grabbing original songs, soulful vocals and searing guitar riffs power Indigenous. He dedicated the band’s latest album, “Time Is Coming,” to the indigenous youth on the reservations. “It’s just to be supportive, because they’re always having a tough time,” Nanji says.

As a child, he listened intently to his parents’ old blues and rock records.

HIs father and his uncles had a Top 40 band, The Vanishing Americans. Nanji says, “They had split up before I was born. I found my dad’s guitars and amps in the basement. I was like, ‘What is this?’ I didn’t even know he was a musician.

“Later, I found out that my dad knew everything about amps and guitars. When he found out I was interested, he started teaching me a little bit. But he basically just said, ‘You’ve got to listen and learn yourself. If you learn it yourself like that, you’ll never forget it,’ which turned put to be one of the best pieces of advice I’ve ever had.”

At the suggestion of their parents, Nanji, the eldest child, teamed with his bassist brother, drummer sister and percussionist cousin to form Indigenous. They were 13 to 16 years old. They practiced for more than a year, then started gigging.

“We never thought, ‘Oh, this is going to be our living, our career.’ We just started working. And I’m still at it,” Nanji says.

Indigenous’s first national tour was a 1999 bill that included Tower of Power, Kenny Wayne Shepherd and headliner B.B. King. Other artists, such as Taj Mahal, Robert Cray and Jimmie Vaughan, played select dates.

Nanji says, “To be a young kid, from where I come from, it was an honor to be part of that. I had grown up listening to those guys.”

B.B. King had words of wisdom for Nanji. “’Stay high on the music, keep going and you’re going to be OK’ — that’s what he told us. There’s already a high there. You don’t need anything else.

“So many of the other people I grew up listening to, I found out they were into drugs. Musically they were my role models and my heroes, but as far as who they were as people, what they did, didn’t connect with who I am.”

The original Indigenous lineup stayed together for 10 years. “Like with every band, after a while, it doesn’t click like it used to. Being brothers and sisters, I think it was even tougher. I’m actually surprised we made it as long as we did,” Nanji says, laughing.

He was always focused on the music. His bandmates were increasingly indulging in distractions.

“I was the one really pushing for us to keep it together and keep going down the tracks. But everybody else was falling off, as we went. They were getting into more drugs, more alcohol. I’ve never followed that path. I was just interested in writing, playing, touring, recording — doing the work. To me, that was more important than anything else, certainly more important than the party life they were interested in.

“It’s a lot of work, a lot of stresses, so that’s why a lot of musicians turn to drugs and alcohol. But it just never intrigued me at all. I’ve been able to handle the stress.”

Nanji now fronts a trio, which plays Redwood City’s Club Fox on April 13 and Moe’s Alley in Santa Cruz on April 16.

Nanji just completed the Experience Hendrix Tour. He says he was thrilled to share the stage with such artists as Buddy Guy and the last surviving member of the Jimi Hendrix Experience, Billy Cox.

“Buddy is, like, 80 years old, and still doing it. Billy is, like, 77. So it was so inspiring to me, having the opportunity to play with them. It’s awesome to see those guys up there every night, rocking it.

“All the new stuff that’s going on, that’s on TV all the time, it seems generic and phony to me. Seeing guys like Buddy play on stage, there’s something much deeper going on there, very special and very spiritual. He’s still connecting with new generations.”

Nanji, 42, is still based on the reservation where he grew up, He writes much of the Indigenous material with his wife Leah. They have six children, ages 12 to 23. Several of them are displaying musical talents.

“That’s pretty inspirational,” Nanji says. “It makes me want to keep on doing what I’m doing. Like both my dad and B.B. King said to me, ‘If you love what you’re doing, it’ll take care of you.’”

Email Paul Freeman at paul@popcultureclassics.com.

He’s not a politician, he’s not a lobbyist and he doesn’t hold a degree in environmental sciences.

Mato Nanji is the vocalist, guitarist, songwriter and front man for the band Indigenous.

In addition to the skills that have helped to make Indigenous a force on the blues scene ever since their first album – Things We Do (Pachyderm Records) – came out in 1998, Mato (Ma-TOE) is also blessed with a boatload of good old-fashioned common sense.

“If we don’t have water, we don’t have people. We don’t have anything without water,” he recently said.

Mato’s response to the firestorm that is currently burning at the Standing Rock Sioux Reservation – the sixth-largest Native American Reservation (in land area) in the United States – boils the essence of the matter right down to its very core.


The Dakota Access Pipeline (DAPL) is meant to transport oil through four states – and over 1,100 miles- from the Dakotas down into Illinois. When the DAPL was rerouted from its planned path near Bismarck (the capital city of North Dakota), to near the Standing Rock Sioux Reservation, is when the protests began. The tribe that calls Standing Rock its home opposed the new route of the pipeline, because they felt it’s construction under Lake Oahe – along with the Missouri River – would pollute those waters and have a harmful impact on countless lives in the area. In addition to the potential for pollution, the tribe also believes the DAPL violates established treaty rights and puts sacred burial grounds in peril.

So far, those tasked with constructing the pipeline (referred to as the ‘Black Snake’ by many Native Americans in the area) have chosen to ignore many of the concerns with the project and thus, a standoff was born between the two sides.

While it’s failed to become the lead story on any of the nightly newscasts that mainstream media has to offer up, the situation at Standing Rock (which covers land in both South and North Dakota) has nevertheless become a huge presence on just about every social media site and that has helped lead to protests and demonstrations in places thousands of miles from the Dakotas. From Denver to San Francisco to Miami and even New York City, those concerned are making their feelings well known.

Mato – who was born and raised on the Yankton Sioux Reservation in South Dakota – has been doing his part to bring awareness of Standing Rock to a heightened level, even helping to bring the blues crowd up to date with the struggle.

Mato has played several benefit shows for Standing Rock this past year and he says he’s been encouraged by the response to the shows.


Guitar Radio Show Podcast Episode 85
September 2, 2015
By: Mark Daven

Description: Mato Nanji from Indigenous joins us to discuss his latest release Time is Coming" and much more!!!!


Mato Nanji Interview: Indigenous Rocks On
Adam St. James

B.B. King was a big fan of Mato Nanji’s guitar playing. The late blues legend heard Nanji’s band Indigenous early on and brought the band out on tour with him. Likewise another blues legend, Buddy Guy, has often played with Indigenous. And it was at a show featuring Guy and Indigenous that John McDermott, director of the Jimi Hendrix catalog and producer of the semi-annual Experience Hendrix tours, first discovered Nanji.


Navajo Blues Trio The Plateros Forge Ahead -- as Indigenous

Two of the most recognizable names in the Native music world, Indigenous and The Plateros, are now one.  After two consecutive summers of touring together, the blues trio of cousins has become the next generation of Indigenous.  Frontman Mato Nanji, winner of the Artist of the Year at the 2014 Native American Music Awards, will still lead the band.  But Levi Platero, Bronson Begay and Douglas Platero will be his new cohorts as the band gets back to its Native roots.  ICTMN caught up with Levi Platero, after a performance at the New Mexico State Fair.  "Mato asked us if we wanted to become his band full-time," Levi recalls. "Me and the guys actually thought about it. 'Wouldn't it be cool if we were actually to become Indigenous?'  It never really occurred to us that it would really happen.  At first, we were just opening for them.  Later, we started helping with a few shows.  Now, he's picking us up to be his full-time band, which is just incredible.  And, it's awesome.  I'm really excited about it."

For the immediate future, they will not be performing as The Plateros. "It's just going to be Indigenous," Levi says. "It will always be there.  We'll be able to do side gigs.  Plateros will be the side project now -- it used to be Indigenous as the side project."  The Plateros had been in the studio, working on a new album, but they are going to suspend those efforts in favor of this newer development.  "It's been slow going.  This is kind of like a safety net.  It just kind of happened that's really going to help us out.  And maybe give us more exposure.  At the same time, maybe we can land a record deal.  And maybe we'll be able to finish the album -- there's still quite a bit to do with the album."

RSS feed